SUMARIO: Introduction: Jazz Goes to the Movies from «Authenticity» to Inner Circle // Chapter 1: When Strangers Meet Structures, Tensions, and Negotiations in Jazz/Film Collaborations / Chapter 2: «Not a Lot of People Would Go for that» Risk and Experimentation in the Improvised Soundtracks of Birdman and Afterglow / Chapter 3: «Honest, True Portrayals» Terence Blanchard, Spike Lee, and the Racial Politics of Jazz Scoring / Chapter 4: «A Film Director’s Dream» Dick Hyman Plays the Personal for Woody Allen / Conclusion: Miles Ahead A New Way of Making Movie Music? // Notes // Bibliography.