Cinesonidos : Film Music and National Identity During Mexico’s Época de Oro
Avila, Jacqueline
SUMARIO/// Introduction : Listening to the Época de oro / The prostitute and the cinematic cabaret: Musicalizing the «fallen woman» and Mexico City’s nightlife / The salon, the stage, and Porfirian nostalgia / The sounds of indigenismo: Cultural integration and musical exoticism in Janitzio (1935) and María Candelaria (1944) /
The singing charro in the comedia ranchera: Music, machismo, and the invention of a tradition / The strains of the revolution: Musicalizing the soldadera in the revolutionary melodrama / Epilogue: After the Época de oro.
Cinesonidos : Film Music and National Identity During Mexico’s Época de Oro
Avila, Jacqueline
SUMARIO/// Introduction : Listening to the Época de oro / The prostitute and the cinematic cabaret: Musicalizing the «fallen woman» and Mexico City’s nightlife / The salon, the stage, and Porfirian nostalgia / The sounds of indigenismo: Cultural integration and musical exoticism in Janitzio (1935) and María Candelaria (1944) /
The singing charro in the comedia ranchera: Music, machismo, and the invention of a tradition / The strains of the revolution: Musicalizing the soldadera in the revolutionary melodrama / Epilogue: After the Época de oro.
