SUMARIO. 11th Bradford Film Festival, Film & Music Conference, 2005 : keynote interview with Trevor Jones / Scoring processes. Spotting, scoring, soundtrack : the evolution of Trevor Jones’s score for Sea of love ; Ian Sapiro and David Cooper / Scoring Moth : beyond the temp track ; Miguel Mera / Looking and listening ; Geoffrey Cox and Keith Marley / Popular scores. Music and editing : the message within the filmic event : exploring an extract of Moulin rouge ; Connie Wallcraft / The popular song performs ; Louise O’Riordan / Please give me second grace : a study of five songs in Wes Anderson’s The Royal Tenenbaums ; Elena Boschi / Narrativity. Shades of grey : suspense, subjectivity and the soundtrack in Notorius ; Catherine Haworth / Desiring the diegesis : music and self-seduction in the films of Wong Kar-Wai ; Alexander Binns / Noises, sounds and sweet airs : singing the film space in Prospero’s books ; Holly Rogers / 12th Bradford Film Festival, Film & Music Conference, 2006 : keynote interview with Michael Nyman // Afterword : some futures for the study of sound, music, and the moving image ; Anahid Kassabian