Cinesonic : Cinema and the Sound of Music
Brophy, Philip (ed.)
RESUMEN. Contiene las intervenciones completas del segundo CINESONIC. International Conference on Film Scores & Sound Design (1999) /// SUMARIO. Part 1: Issues in Film Scores & Sound Design / Randy Thom in Conversation. Designing a Movie for Sound ; Randy Thom / Francois Musy in Conversation. Recording for Godard / David Shea in Conversation. Reinventing Film Scores // Part 2: Transmissions From Beyond The Cinema / The Microrhythmic Pnemacosm of Hype Williams ; Kodwo Eshum / My Aisles of Golden Dreams: The Beauty of Supermarket Soundtracks ; Joseph Lanza / Scenic Darkness: Towards An Aesthetic of Jazz in Film Noir ; John Conomos // Part 3: Encodings of Orchestral Statement / Scoring the Other: Musical Coding of Indians in the Western ; Claudia Gorbman / The World Heard: Music, Nature, Film ; Evan Eisenberg // Part 4: Constructs of Recorded Sound / Intensity, Uncertainty & Dissimulation: Fritz Lang’s Sound ; Adrian Martin / Orson Welles’ Turn From Live Recording to Post-Synchronization: A Technical & Aesthetic Revolution ; Francois Thomas / How Sound Floats on Land: The Suppression and Release of Folk & Indigenous Musics in the Cinematic Terrain ; Philip Brophy.
Cinesonic : Cinema and the Sound of Music
Brophy, Philip (ed.)
RESUMEN. Contiene las intervenciones completas del segundo CINESONIC. International Conference on Film Scores & Sound Design (1999) /// SUMARIO. Part 1: Issues in Film Scores & Sound Design / Randy Thom in Conversation. Designing a Movie for Sound ; Randy Thom / Francois Musy in Conversation. Recording for Godard / David Shea in Conversation. Reinventing Film Scores // Part 2: Transmissions From Beyond The Cinema / The Microrhythmic Pnemacosm of Hype Williams ; Kodwo Eshum / My Aisles of Golden Dreams: The Beauty of Supermarket Soundtracks ; Joseph Lanza / Scenic Darkness: Towards An Aesthetic of Jazz in Film Noir ; John Conomos // Part 3: Encodings of Orchestral Statement / Scoring the Other: Musical Coding of Indians in the Western ; Claudia Gorbman / The World Heard: Music, Nature, Film ; Evan Eisenberg // Part 4: Constructs of Recorded Sound / Intensity, Uncertainty & Dissimulation: Fritz Lang’s Sound ; Adrian Martin / Orson Welles’ Turn From Live Recording to Post-Synchronization: A Technical & Aesthetic Revolution ; Francois Thomas / How Sound Floats on Land: The Suppression and Release of Folk & Indigenous Musics in the Cinematic Terrain ; Philip Brophy.
