Contemporary Film Music : Investigating Cinema Narratives and Composition
Coleman, Lindsay (ed.) – Tillman, Joakim (ed.)
SUMARIO. 1. Film Composition in the 21st Century ; Lindsay Coleman & Joakim Tillman / 2. Zbigniew Priesner, Van den Budenmayer. Three Colours: Red (1994), Three Colours: Blue (1993), The Double Life of Veronique (1989). Music by Zbigniew Preisner?: Fictional Composers and Ccompositions in the Kieslowski collaborations ; Jonathan Godsall / 3. Mychael Danna. Mychael Danna and the Modern Conundrum of World Music: An Analysis of Life of Pi and The Ice Storm ; Peter Golub, Katy Jarzebowski / 4. Carter Burwell. Carter Burwell and Space: Inner, Outer, Environmental and Acoustic ; Andrew Waggoner / 5. Rachel Portman. Eero Tarasti and the Narratological Construction of Rachel Portman’s Emma ; Lindsay Coleman / 6. Elliot Goldenthal. Conversations with Past and Present: Stylistic Pluralism and Leitmotif Technique in the film music of Elliot Goldenthal ; Joakim Tillman / 7. Dario Marianelli. Dario Marianelli and the Voice of the Cello: The Gendering of Musical Solos in Atonement, Pride and Prejudice, and Jane Eyre ; Lindsay Coleman, Joakim Tillman / 8. A.R. Rahman. The ‘Alternate Space’ of A.R. Rahman’s Film Music ; Felicity Wilcox / 9. John Williams. The Scores of John Williams: Sentence and Period ; Emilio Audissino, Konstantinos Zacharopoulos.
Contemporary Film Music : Investigating Cinema Narratives and Composition
Coleman, Lindsay (ed.) – Tillman, Joakim (ed.)
SUMARIO. 1. Film Composition in the 21st Century ; Lindsay Coleman & Joakim Tillman / 2. Zbigniew Priesner, Van den Budenmayer. Three Colours: Red (1994), Three Colours: Blue (1993), The Double Life of Veronique (1989). Music by Zbigniew Preisner?: Fictional Composers and Ccompositions in the Kieslowski collaborations ; Jonathan Godsall / 3. Mychael Danna. Mychael Danna and the Modern Conundrum of World Music: An Analysis of Life of Pi and The Ice Storm ; Peter Golub, Katy Jarzebowski / 4. Carter Burwell. Carter Burwell and Space: Inner, Outer, Environmental and Acoustic ; Andrew Waggoner / 5. Rachel Portman. Eero Tarasti and the Narratological Construction of Rachel Portman’s Emma ; Lindsay Coleman / 6. Elliot Goldenthal. Conversations with Past and Present: Stylistic Pluralism and Leitmotif Technique in the film music of Elliot Goldenthal ; Joakim Tillman / 7. Dario Marianelli. Dario Marianelli and the Voice of the Cello: The Gendering of Musical Solos in Atonement, Pride and Prejudice, and Jane Eyre ; Lindsay Coleman, Joakim Tillman / 8. A.R. Rahman. The ‘Alternate Space’ of A.R. Rahman’s Film Music ; Felicity Wilcox / 9. John Williams. The Scores of John Williams: Sentence and Period ; Emilio Audissino, Konstantinos Zacharopoulos.
