Análisis audiovisual
Bibliografía o hemerografía
Clásica y cine
Historia por género
Miscelánea
Música en el cine mudo
Testimonio primera mano

Film Music 1

Autores

McCarty, Clifford (ed.)

Lugar de ediciónLos Angeles
EditorialThe Film Music Society
Año de edición1998
Colección y número
ISBN1892050005, 9781892050007
Idiomainglés
Número de páginas285
Descripción

SUMARIO. // Introduction: The Literature of Film Music; Clifford McCarty // The Materials of Film Music: Their Nature and Accessibility; H. Stephen Wright / «Tumult, Battle and Blaze»: Looking Back on the 1920s—and Since—with Gaylord Carter, the Dean of Theater Organists; Rudy Behlmer / Performing with Silent Films; Dennis James / What Were Musicians Saying About Movie Music During the First Decade of Sound? A Symposium of Selected Writings; Fred Steiner / Stravinsky and MGM; William H. Rosar / Max Steiner and the Classical Hollywood Film Score: An Analysis of The Informer; Kathryn Kalinak / The Music of Flash Gordon and Buck Rogers; Richard H. Bush, business executive / Holding a Nineteenth Century Pedal at Twentieth Century-Fox; David Raksin / Miklós Rózsa’sBen-Hur: The Musical-Dramatic Function of the Hollywood Leitmotiv; Steven D. Wescott / A Conversation with Bernard Herrmann; Leslie T. Zador, attorney and Gregory Rose / The Film Composer in Concert and the Concert Composer in Film; Eddy Lawrence Manson.

Análisis audiovisual
Bibliografía o hemerografía
Clásica y cine
Historia por género
Miscelánea
Música en el cine mudo
Testimonio primera mano

Film Music 1

Autores

McCarty, Clifford (ed.)

Lugar de ediciónLos Angeles
EditorialThe Film Music Society
Año de edición1998
Colección y número
ISBN1892050005, 9781892050007
Idiomainglés
Número de páginas285
Descripción

SUMARIO. // Introduction: The Literature of Film Music; Clifford McCarty // The Materials of Film Music: Their Nature and Accessibility; H. Stephen Wright / «Tumult, Battle and Blaze»: Looking Back on the 1920s—and Since—with Gaylord Carter, the Dean of Theater Organists; Rudy Behlmer / Performing with Silent Films; Dennis James / What Were Musicians Saying About Movie Music During the First Decade of Sound? A Symposium of Selected Writings; Fred Steiner / Stravinsky and MGM; William H. Rosar / Max Steiner and the Classical Hollywood Film Score: An Analysis of The Informer; Kathryn Kalinak / The Music of Flash Gordon and Buck Rogers; Richard H. Bush, business executive / Holding a Nineteenth Century Pedal at Twentieth Century-Fox; David Raksin / Miklós Rózsa’sBen-Hur: The Musical-Dramatic Function of the Hollywood Leitmotiv; Steven D. Wescott / A Conversation with Bernard Herrmann; Leslie T. Zador, attorney and Gregory Rose / The Film Composer in Concert and the Concert Composer in Film; Eddy Lawrence Manson.