Film Music : Critical Approaches
Donnelly, K.J.
SUMARIO. Introduction: the Hidden Heritage of Film Music History and Scholarship (K.J.Donnelly) // 1. Analytical and Interpretive Approaches to Film Music (I): Analysing the Music (David Neumeyer and James Buhler) / 2. Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film (James Buhler) / 3. ‘In the Mix’: How Electrical Reproducers Facilitated the Transition to Sound in British Cinema (Michael Allen) / 4. King Kong and Film on Music: Out of the Fog (Peter Franklin) / 5. The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music (William H. Rosar) / 6. The Documentary Film Scores of Gail Kubik (Alfred W. Cochran) / 7. Embracing Litsch: Werner Schroeter, Music and The Bomber Pilot (Caryl Flinn) / 8. Performance and the Composite Film Score (K.J.Donnelly) / 9. Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape (Robynn J.Stilwell) / 10. ‘Would You Like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino (Ken Garner)
Film Music : Critical Approaches
Donnelly, K.J.
SUMARIO. Introduction: the Hidden Heritage of Film Music History and Scholarship (K.J.Donnelly) // 1. Analytical and Interpretive Approaches to Film Music (I): Analysing the Music (David Neumeyer and James Buhler) / 2. Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film (James Buhler) / 3. ‘In the Mix’: How Electrical Reproducers Facilitated the Transition to Sound in British Cinema (Michael Allen) / 4. King Kong and Film on Music: Out of the Fog (Peter Franklin) / 5. The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music (William H. Rosar) / 6. The Documentary Film Scores of Gail Kubik (Alfred W. Cochran) / 7. Embracing Litsch: Werner Schroeter, Music and The Bomber Pilot (Caryl Flinn) / 8. Performance and the Composite Film Score (K.J.Donnelly) / 9. Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape (Robynn J.Stilwell) / 10. ‘Would You Like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino (Ken Garner)
