French Musical Culture and the Coming of Sound Cinema
Lewis, Hannah
SUMARIO. // Acknowledgments // Abbreviations // Introduction // 1. Imagining Sound Film: Debates in the Press / 2. Surrealist Sounds: Film Music and the Avant-Garde / 3. «An achievement that reflects its native soil»: Songs, Stages, Cameras, and the Opérette Filmée / 4. Théâtre filmé, Opera, and Cinematic Poetry: The Clair/Pagnol Debate / 5. Source Music and Cinematic Realism: Jean Renoir and the Early Poetic Realists / 6. «The Music Has Something to Say»: The Musical Revisions of L’Atalante (1934) / Conclusion: Alternative Paths for Sound Film // Select Filmography // Select Bibliography // Captions.
French Musical Culture and the Coming of Sound Cinema
Lewis, Hannah
SUMARIO. // Acknowledgments // Abbreviations // Introduction // 1. Imagining Sound Film: Debates in the Press / 2. Surrealist Sounds: Film Music and the Avant-Garde / 3. «An achievement that reflects its native soil»: Songs, Stages, Cameras, and the Opérette Filmée / 4. Théâtre filmé, Opera, and Cinematic Poetry: The Clair/Pagnol Debate / 5. Source Music and Cinematic Realism: Jean Renoir and the Early Poetic Realists / 6. «The Music Has Something to Say»: The Musical Revisions of L’Atalante (1934) / Conclusion: Alternative Paths for Sound Film // Select Filmography // Select Bibliography // Captions.
