Análisis audiovisual
Teoría y estètica

Music as Image : Analytical Psychology and Music in Film

Autores

Nagari, Benjamin

Lugar de ediciónLondres
EditorialRoutledge, Taylor & Francis Group
Año de edición2016
Colección y númeroResearch in analytical psychology and Jungian studies series
ISBN9781138853256, 1138853259
Idiomainglés
Número de páginasxix, 157
Descripción

SUMARIO. // Part 1: The Psychological Image: Imaging and imagination – a Jungian perspective Jung, Image, Archetype and Complex. Jung, Opposites and Psychic Energy. Jung’s Psychological Types. Jung, Sign and Symbol. Image, Imagery, Imagination: A perspective of placement. The Autonomous Ways of Images: Dreams and synaesthesia. Conclusion: The non-visual image // Part 2: Music as Image: The encounter of visual and non visual in film Music as Image: An emotive introduction. Music as Image: Its placement in film. Music as Image: Its realities and functions. Psychological Dimensions of the Film-Music Functions. Film Music: Type, style, original and non-original music. Film, Music, Archetype. When Image Turns Hero. Conclusion: The music-image – inside and outside film. // Part 3: Close Encounters of the Musical Kind: An analysis of the music-image in three films Taxi Driver. Nuit et Brouillard (Night and Fog). Eyes Wide Shut. Finale (Conclusion)..

Análisis audiovisual
Teoría y estètica

Music as Image : Analytical Psychology and Music in Film

Autores

Nagari, Benjamin

Lugar de ediciónLondres
EditorialRoutledge, Taylor & Francis Group
Año de edición2016
Colección y númeroResearch in analytical psychology and Jungian studies series
ISBN9781138853256, 1138853259
Idiomainglés
Número de páginasxix, 157
Descripción

SUMARIO. // Part 1: The Psychological Image: Imaging and imagination – a Jungian perspective Jung, Image, Archetype and Complex. Jung, Opposites and Psychic Energy. Jung’s Psychological Types. Jung, Sign and Symbol. Image, Imagery, Imagination: A perspective of placement. The Autonomous Ways of Images: Dreams and synaesthesia. Conclusion: The non-visual image // Part 2: Music as Image: The encounter of visual and non visual in film Music as Image: An emotive introduction. Music as Image: Its placement in film. Music as Image: Its realities and functions. Psychological Dimensions of the Film-Music Functions. Film Music: Type, style, original and non-original music. Film, Music, Archetype. When Image Turns Hero. Conclusion: The music-image – inside and outside film. // Part 3: Close Encounters of the Musical Kind: An analysis of the music-image in three films Taxi Driver. Nuit et Brouillard (Night and Fog). Eyes Wide Shut. Finale (Conclusion)..