SUMARIO: An Introduction // «Living in a Material World,» Contemplating the Immaterial One / Musings on What Sounds Can Actually Tell Us, or Not / The (Re)Construction of Communicative Pasts in the Digital Age / The Narratological Architecture of Musical lieux de mémoire / Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual / Women’s Voices in Radio / ‘Real Sound, ‘ Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality / Sonic Icons in A Song Is Born (1948): A Model for an Audio History of Film / The Production, Reception and Cultural Transfer of Operetta on Early Sound Film / The Address of the Ear: Music and History in Waltz with Bashir / «I’ve never understood the passion for Schubert’s sentimental Viennese shit» / Using Metadata to Capture the Contexts of Film Music / Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge’s Televisual Corpus / Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation / Playing with a Web of Music: Connecting and Enriching Online Music Repositories / A Few Notes on the Auditive Layer of the Film // Afterword / List of Contributors.