Historia por género
Miscelánea

Music, Sound and Filmmakers : Sonic Style in Cinema

Autores

Wierzbicki, James (ed.)

Lugar de ediciónAbingdon
EditorialRoutledge
Año de edición2012
Colección y númeroRoutledge Music and Screen Media
ISBN0415898935, 9780415898935, 0415898943, 9780415898942, 0203343093, 9780203343098
Idiomainglés
Número de páginas232
Descripción

SUMARIO. 1. Sonic Style in Cinema ; James Wierzbicki / 2. Music, Sound, and Silence in the Films of Ingmar Bergman ; Per F. Broman / 3. Andrey Tarkovsky; The Refrain of the Sonic Fingerprint ; Elizabeth Fairweather / 4. It’s All Really Happening: Sonic Shaping in the Films of Wes Anderson ; Ben Winters / 5. Kies’lowski’s Musique concrete ; Joseph G. Kickasola / 6. Gus Van Sant’s Soundwalks and Audio-visual Musique concrete ; Danijela Kulezic-Wilson / 7. Blowin’ in the Wind: Music and Meaning in the Coen Brothers’ Films ; Matthew McDonald / 8. Sound and Uncertainty in the Horror Films of the Lewton Unit ; Michael Lee / 9. Conducting the Composer: David O. Selznick and the Hollywood Film Score ; Nathan Platte / 10. The Stanley Kubrick Experience: Music, Firecrackers, Disorientation, and You ; Kate McQuiston / 11. The Filmmaker’s Contract: Controlling Sonic Space in the Films of Peter Greenaway ; Ian Sapiro / 12. The Attractions of Repetition: Tarantino’s Sonic Style ; Lisa Coulthard / 13. Dream Timbre: Notes on Lynchian Sound Design ; Isabella van Elferen

Historia por género
Miscelánea

Music, Sound and Filmmakers : Sonic Style in Cinema

Autores

Wierzbicki, James (ed.)

Lugar de ediciónAbingdon
EditorialRoutledge
Año de edición2012
Colección y númeroRoutledge Music and Screen Media
ISBN0415898935, 9780415898935, 0415898943, 9780415898942, 0203343093, 9780203343098
Idiomainglés
Número de páginas232
Descripción

SUMARIO. 1. Sonic Style in Cinema ; James Wierzbicki / 2. Music, Sound, and Silence in the Films of Ingmar Bergman ; Per F. Broman / 3. Andrey Tarkovsky; The Refrain of the Sonic Fingerprint ; Elizabeth Fairweather / 4. It’s All Really Happening: Sonic Shaping in the Films of Wes Anderson ; Ben Winters / 5. Kies’lowski’s Musique concrete ; Joseph G. Kickasola / 6. Gus Van Sant’s Soundwalks and Audio-visual Musique concrete ; Danijela Kulezic-Wilson / 7. Blowin’ in the Wind: Music and Meaning in the Coen Brothers’ Films ; Matthew McDonald / 8. Sound and Uncertainty in the Horror Films of the Lewton Unit ; Michael Lee / 9. Conducting the Composer: David O. Selznick and the Hollywood Film Score ; Nathan Platte / 10. The Stanley Kubrick Experience: Music, Firecrackers, Disorientation, and You ; Kate McQuiston / 11. The Filmmaker’s Contract: Controlling Sonic Space in the Films of Peter Greenaway ; Ian Sapiro / 12. The Attractions of Repetition: Tarantino’s Sonic Style ; Lisa Coulthard / 13. Dream Timbre: Notes on Lynchian Sound Design ; Isabella van Elferen