SUMARIO. Without music, I would be lost: Scorsese, Goodfellas, and a new soundtrack practice ; Julie Hubbert / Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola ; Tim Anderson / A musical tour of the bizarre: popular music as fantasy in David Lynch ; Gene Willet / Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai’s cinema ; Giorgio Biancorosso / O, brother, where chart thou?: popular music and the Coen brothers ; Jeff Smith / You’ve heard this one before: Quentin Tarantino’s scoring practice from Kill Bill to Inglorious basterds ; Ken Garner / Wes Anderson: ironist and auteur ; Arved Ashby.