
Scoring the Hollywood Actor in the 1950s
Camp, Gregory
SUMARIO: Introduction // Chapter 1: Musicalising Montgomery Clift // Chapter 2: Kazan, Brando, and Mélomania // Chapter 3: Hitchcock’s Time Vectors of Acting and Music // Chapter 4: Day, Monroe, and Gendered Music // Chapter 5: Dissonance and Consonance in James Dean’s Films // Chapter 6: Waters, Poitier, Music, and Race // Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli // Conclusion.

Scoring the Hollywood Actor in the 1950s
Camp, Gregory
SUMARIO: Introduction // Chapter 1: Musicalising Montgomery Clift // Chapter 2: Kazan, Brando, and Mélomania // Chapter 3: Hitchcock’s Time Vectors of Acting and Music // Chapter 4: Day, Monroe, and Gendered Music // Chapter 5: Dissonance and Consonance in James Dean’s Films // Chapter 6: Waters, Poitier, Music, and Race // Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli // Conclusion.















