The Art of Film Music : Special Emphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Rosenman
Burt, George
RESUMEN. Libro de análisis muy técnico. No sólo trata sobre los distintos usos y funciones de la música en el cine, sino que también dedica un capítulo a la función del silencio en el cine, y otro cuestiones técnicas (sincronización, códigos de tiempo, etc.). Incluye bibliografía y glosario de términos. /// SUMARIO. Introductory Remarks // Chapter 1. The Story’s the Thing – Music’s Vital Role – Should Film Music Be Heard? — The Contrapuntal Aspect – The Associative Power of Music / Chapter 2. Characterization – Individual People – Groups of People – Symbolic Meanings – The Emotional Context – Ambient Time and Place – Source of Music / Chapter 3. Emphasizing the Dramatic Line – Musical Accents – The Missing Beat or Pulse – Pacing – / Chapter 4. The Sequence as a Unit – The Best Years of Our Lives: Homecoming Scene – Laura: Apartment Scene – East of Eden:Climactic Scene / Chapter 5. The Sound and Function of Silence: When Music Is Absent – Matter-of-Fact Dialogue – Psychological Containment – Acoustic Space – Moments of Anguish – The Telling Quality of Ambient Sound – The Question of Realism / Chapter 6. Practical Matters and the Human – Element – The Spotting Process – Timings – Synchronization – Generalized Compositional Approaches – Orchestration and the Orchestra – The Synthesizer – Music Mix and Dubbing // Notes // Selected Bibliography // Glossary of Musical Terms // Index.
The Art of Film Music : Special Emphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Rosenman
Burt, George
RESUMEN. Libro de análisis muy técnico. No sólo trata sobre los distintos usos y funciones de la música en el cine, sino que también dedica un capítulo a la función del silencio en el cine, y otro cuestiones técnicas (sincronización, códigos de tiempo, etc.). Incluye bibliografía y glosario de términos. /// SUMARIO. Introductory Remarks // Chapter 1. The Story’s the Thing – Music’s Vital Role – Should Film Music Be Heard? — The Contrapuntal Aspect – The Associative Power of Music / Chapter 2. Characterization – Individual People – Groups of People – Symbolic Meanings – The Emotional Context – Ambient Time and Place – Source of Music / Chapter 3. Emphasizing the Dramatic Line – Musical Accents – The Missing Beat or Pulse – Pacing – / Chapter 4. The Sequence as a Unit – The Best Years of Our Lives: Homecoming Scene – Laura: Apartment Scene – East of Eden:Climactic Scene / Chapter 5. The Sound and Function of Silence: When Music Is Absent – Matter-of-Fact Dialogue – Psychological Containment – Acoustic Space – Moments of Anguish – The Telling Quality of Ambient Sound – The Question of Realism / Chapter 6. Practical Matters and the Human – Element – The Spotting Process – Timings – Synchronization – Generalized Compositional Approaches – Orchestration and the Orchestra – The Synthesizer – Music Mix and Dubbing // Notes // Selected Bibliography // Glossary of Musical Terms // Index.
