SUMARIO. Max Winkler : The origin of film music, 1951 / T. Scott Buhrman : Photoplays de Luxe, 1920 / Erno Rapee : Musical accompaniment to the feature picture, 1925 / An interview with Gaylord Carter, Dean of theater organists, 1989 / Leonid Sabaneev : Music for the films, 1935 / Max Steiner : Scoring the film, 1937 / David Raksin : Life with Charlie, 1983 / Aaron Copland : Our new music, 1941 / Ingolf Dahl : Notes on cartoon music, 1949 / Scott Bradley : Personality on the soundtrack, 1947 / Conversations with Carl Stalling, 1971 / Dimitri Tiomkin : Please don’t hate me! 1959 / A radio interview with Franz Waxman, 1950 / Gail Kubik : Music in documentary films, 1945 / Adolph Deutsch on Three strangers, 1946 / Miklos Rozsa : Quo vadis, 1951 / Andre Previn : No minor chords, 1991 / Henry Mancini : Did they mention the music 1989 / Bernard Herrmann : A lecture on film music, 1973 / A conversation with Jerry Goldsmith, 1977 / John Williams and Star wars, 1997 / Thomas Newman on his film music, 1999 / George Antheil : I am not a businessman, 1945 / Igor Stravinsky on film music, 1946 / David Raksin : Hollywood strikes back, 1948 / Theodor Adorno and Hanns Eisler : Composing for the films, 1947 / Frederick W. Sternfield on Hugo Friedhofer’s Best years of our lives, 1947 / Aaron Copland in the film studio, 1949 / Lawrence Morton : Composing, orchestrating, and criticizing, 1951 / Elmer Bernstein : Film composers vs. the studios, 1976 / Sidney Lumet : Making movies, 1995.