Unsettling Scores : German Film, Music and Ideology
Hillman, Roger
SUMARIO. Acknowledgments // Introduction // One: Establishing a Tonal Center / Two: Music as Cultural Marker in German Film / Three: History on the Soundtrack: The Example of Beethoven’s Ninth / Four: A Wagnerian German Requiem: Syberberg’s Hitler (1977) / Five: Alexander Kluge’s Songs without Words: Die Patriotin (1979) / Six: Fassbinder’s Compromised Request Concert: Lili Marleen (1980) / Seven: The Great Eclecticism of the Filmmaker Werner Herzog / Eight: Pivot Chords: Austrian Music and Visconti’s Senso (1954) / Conclusion: Film Music and Cultural Memory // Notes // Select Bibliography // Index,
Unsettling Scores : German Film, Music and Ideology
Hillman, Roger
SUMARIO. Acknowledgments // Introduction // One: Establishing a Tonal Center / Two: Music as Cultural Marker in German Film / Three: History on the Soundtrack: The Example of Beethoven’s Ninth / Four: A Wagnerian German Requiem: Syberberg’s Hitler (1977) / Five: Alexander Kluge’s Songs without Words: Die Patriotin (1979) / Six: Fassbinder’s Compromised Request Concert: Lili Marleen (1980) / Seven: The Great Eclecticism of the Filmmaker Werner Herzog / Eight: Pivot Chords: Austrian Music and Visconti’s Senso (1954) / Conclusion: Film Music and Cultural Memory // Notes // Select Bibliography // Index,
