Análisis audiovisual
Asia
Historia por género
Miscelánea
Música en el cine mudo

When Music Takes Over in Film

Autores

Windisch, Anna K. (ed.)[]Tieber, Claus (ed.)[]Powrie, Phil (ed.)

Lugar de ediciónCham
EditorialPalgrave Macmillan
Año de edición2023
Colección y número
ISBN9783030891541, 3030891542
Idiomainglés
Número de páginasxviii, 255
Descripción

SUMARIO. 1. Introduction // Part I. What the Musical Moment Can Do – Theoretical Approaches / 2. The Musical Moment, Counter-Memory, Oblivion / 3. The Crystal Song in four American Films from 2016 to 2018 / 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) / 5. Experiencing Romance in Musical Moments // Part II. How the Musical Moment was Created – Musical Numbers in Silent Cinema / 6. Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895 / 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst? / 8. A Waltz Dream: Musical Moments in Silent Operetta Films / 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible // Part III. Musical Dis/Placements – Musical Moments in Global Cinema / 10. Musical Numbers in Bollywood Cinema’s Homeland and Diaspora / 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s / 12. De-Gendering Genre: Mayuzumi Toshiro’s Avant-Garde Music in Popular Cinema / 13. Music in Nollywood Films: Schools of Thought and Performance Contexts / 14. Redemption Songs: Musical Moments in Flora Gomes’s Nha Fala (2002) and Joseph Gaï Ramaka’s Karmen Geï (2001) / 15. “No hay nada que celebrar”: Migration, Violence, and Musical Moments in Luis Estrada’s El Infierno (2010).

Análisis audiovisual
Asia
Historia por género
Miscelánea
Música en el cine mudo

When Music Takes Over in Film

Autores

Windisch, Anna K. (ed.)[]Tieber, Claus (ed.)[]Powrie, Phil (ed.)

Lugar de ediciónCham
EditorialPalgrave Macmillan
Año de edición2023
Colección y número
ISBN9783030891541, 3030891542
Idiomainglés
Número de páginasxviii, 255
Descripción

SUMARIO. 1. Introduction // Part I. What the Musical Moment Can Do – Theoretical Approaches / 2. The Musical Moment, Counter-Memory, Oblivion / 3. The Crystal Song in four American Films from 2016 to 2018 / 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) / 5. Experiencing Romance in Musical Moments // Part II. How the Musical Moment was Created – Musical Numbers in Silent Cinema / 6. Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895 / 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst? / 8. A Waltz Dream: Musical Moments in Silent Operetta Films / 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible // Part III. Musical Dis/Placements – Musical Moments in Global Cinema / 10. Musical Numbers in Bollywood Cinema’s Homeland and Diaspora / 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s / 12. De-Gendering Genre: Mayuzumi Toshiro’s Avant-Garde Music in Popular Cinema / 13. Music in Nollywood Films: Schools of Thought and Performance Contexts / 14. Redemption Songs: Musical Moments in Flora Gomes’s Nha Fala (2002) and Joseph Gaï Ramaka’s Karmen Geï (2001) / 15. “No hay nada que celebrar”: Migration, Violence, and Musical Moments in Luis Estrada’s El Infierno (2010).