When Opera Meets Film
Citron, Marcia J.
SUMARIO. // Part I. Style / 1. Operatic style in Coppola’s Godfather trilogy / 2. Opera as fragment : ‘Liebestod’ and ‘Nessun dorma’ in Aria // Part II. Subjectivity / 3. Subjectivity in the opera-films of Jean-Pierre Ponelle / 4. Don Giovanni and subjectivity in Claude Chabrol’s La Ceremonie // Part III. Desire / 5. ‘An honest contrivance’: opera and desire in Moonstruck / 6. The sound of desire : Cosi`’s ‘Soave sia il vento’ in Sunday, Bloody Sunday and Closer.
When Opera Meets Film
Citron, Marcia J.
SUMARIO. // Part I. Style / 1. Operatic style in Coppola’s Godfather trilogy / 2. Opera as fragment : ‘Liebestod’ and ‘Nessun dorma’ in Aria // Part II. Subjectivity / 3. Subjectivity in the opera-films of Jean-Pierre Ponelle / 4. Don Giovanni and subjectivity in Claude Chabrol’s La Ceremonie // Part III. Desire / 5. ‘An honest contrivance’: opera and desire in Moonstruck / 6. The sound of desire : Cosi`’s ‘Soave sia il vento’ in Sunday, Bloody Sunday and Closer.
