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A Companion to Jean Renoir
Phillips, Alastair (ed.) – Vincendeau, Ginette (ed.)
Baroque Music in Post-War Cinema : Performande Practice and Musical Style
Greig, Donald
Cinesonic : Experiencing the Soundtrack
Brophy, Philip (ed.)
Egisto Macchi.»The assassination of Trotsky» : Sources of the Creative Process
Cosci, Marco
Film, Music, Memory
Hoeckner, Bertold
From Sounds to Music and Emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers
Aramaki, Misuko (ed.) – Barthet, Mathieu (ed.) – Kronland-Martinet, Richard (ed.) – Ystad, Sølvi (ed.)
Hearing Haneke : The Sound Tracks of a Radical Auteur
Walker, Elsie
Howard Hawks : Music as Communication in Film
Camp, Gregory
Listening Through the Lens
Nupen, Christopher
Metafilm Music in Jean-Luc Godard’s Cinema
Baumgartner, Michael
Movies, Rock & Roll, Freud : Essays on Film and Music
Fuchsman, Ken
Music and Sound in the Films of Dennis Hopper
Naish, Stephen Lee
Music and Sound in the Worlds of Michel Gondry
McQuiston, Kate
Palgrave Handbook of Music in Comedy Cinema
Audissino, Emilio (ed.)[]Wennekes, Emile (ed.)
Pandaemonium : Ken Russell’s artist biographies as baroque performance
Van Eecke, Christophe